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1. Digital Comics Are a Rip-Off
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The iPad Could Revolutionize the Comic Book Biz — or Destroy It
The Final Season. Community Hub. Recent Reviews:.
All Reviews:. Telltale Games. Skybound Games. Popular user-defined tags for this product:. Sign in or Open in Steam. The Walking Dead: Includes 48 Steam Achievements. The Final Season Genre: Adventure Developer: Since i live outside the E. Giving an arguably evil company large chunks of money without even the vague excuse of calling it an investment? Let me back up my entire collection to my NAS and not need to phone home to read them. Not really worth consideration with current system. Are you saying Image Comics is evil?
Or are you saying Apple is evil?
Save my name, email, and website in this browser for the next time I comment. This site uses Akismet to reduce spam. Learn how your comment data is processed. In addition to The Walking Dead and Invincible, I would really like to see the following comics go digital day and date: Digital Comics Image Comics the walking dead. Previous Article Marvel Sneak Peek: Carnage 1. Next Article Major Spoilers Podcast The Wraithborn Podcast. February 20, 0. Shawn on September 28, 4: MaximusRift on September 28, 4: Launched in , comiXology was initially an online pull-list management service designed to be used by both retailers and readers.
In , it introduced a digital-comics reader for the iPhone, with just 80 titles from independent publishers in comics-speak, "independent" means neither Marvel nor DC. Many similar apps appeared around that time, but comiXology's came with a nifty feature that automatically jumped from panel to panel, making the most of the iPhone's small screen. The company essentially built digital stores so the big publishers didn't have to.
That move turned comiXology into the Hulk in a room full of Daredevils. It wasn't part of the original plan, but comiXology's history of working closely with brick-and-mortar stores on pull lists gave it an edge with publishers. So comiXology's tech was able to satisfy the publishers' main criterion for a digital presence: Don't mess with the stores.
The Walking Dead: Compendium One
Unfortunately for fans, though, that means that Marvel and DC readers can buy shockingly few new single issues for download—it's mostly classics and compendia. Releasing new comics digitally, goes the theory, would erode the shops' customer base. So sacrosanct is this tenet that in November , when Marvel accidentally released the second issue of Ultimate Comics Thor digitally a week before it was supposed to hit stores, the publisher pulled the issue and temporarily locked the copies of everyone who'd already bought it.
Kikuo Johnson. In fact, the Big Two have been going far out of their way to keep physical retailers happy as they expand into digital. Even when newly published comic books are available digitally, they generally cost as much as their analog counterparts. ComiXology's apps even include a Buy In Print function that directs users toward the nearest comic book store.
So why don't comics publishers just cut out the physical middleman, shift to higher-profit-margin digital for everything, and rake in the dough? Not so fast, Quicksilver. Local stores—and their devotees—drive not just the industry's steadiest profits but its development of new material. If more than the tiniest fraction of that fragile market gets cannibalized by digital sales, then those stores will start folding. If that happens, the majority of print readers who don't have fancy tablets will have nothing to buy on Wednesdays anymore.
And if digital sales alone aren't enough to cover writers' and artists' fees and publication costs and underpin a marketing apparatus, the entire structure will blow up like Krypton. So it may sound like a counterintuitive move, but the industry can't afford to alienate its analog retailers. As Steinberger suggests, comics are a fragile ecosystem. That's huge by historical standards but a rounding error for Time Warner and Disney and one-sixth the size of the comics market in Japan.
Digital-comics sales are even smaller potatoes: Those figures are expected to rise dramatically, though, and Jim Lee is one of the people who's overseeing the transition.
The Walking Dead: Compendium One by Robert Kirkman, Charlie Adlard & Tony Moore on Apple Books
As copublisher of DC, Lee has become the company's point person for digital, although he made his name as an artist. He drew the first issue of an X-Men series that Marvel launched in , which sold around 8 million copies—making it the best-selling single issue of all time. But when Lee describes what DC would like to do digitally, he doesn't talk about converting the Wednesday store shoppers to digital customers.